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		<title>Bear in the Cathedral of Jaca, Spain - Revision history</title>
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		<updated>2026-05-27T21:37:29Z</updated>
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		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Bear_in_the_Cathedral_of_Jaca,_Spain&amp;diff=3068&amp;oldid=prev</id>
		<title>Walker at 08:58, 15 June 2010</title>
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				<updated>2010-06-15T08:58:07Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Bear ==&lt;br /&gt;
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[[Image:Oso Jaca.jpg|thumb|400px|Detail of the bear in the tympanum of the West Portal of the Cathedral of Jaca, Spain. End of the 11th century.]]&lt;br /&gt;
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Bear trampled by a lion &amp;lt;br&amp;gt;&lt;br /&gt;
West portal of the cathedral of Jaca, tympanum, end of the 11th century &amp;lt;br&amp;gt;&lt;br /&gt;
Carved stone &amp;lt;br&amp;gt; &lt;br /&gt;
Aragon (Spain) &amp;lt;br&amp;gt;&lt;br /&gt;
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== Description ==&lt;br /&gt;
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A bear accompanied by a basilisk is trampled by the right forepaw of a lion that walks all over them. Although the depiction of the bear suffers from a certain lack of naturalism regarding its morphology, the artist has attached importance to the liveliness of the face -with open eyes and round ears- and has reflected some distinctive features of the animal like its short neck, its thick coat, and the sturdiness of its back legs.&lt;br /&gt;
The bear is underfoot of the powerful lion, whose size is considerably bigger to show its superiority. An inscription above the group clarifies the meaning of the scene: IMP(er)IVM MORTIS CONCVLCANS E(st) LEO FORTiS (the lion, -which stands for Christ- triumphs over the realm of death). So the bear, as well as the basilisk, belongs to evil forces, and it can be interpreted as a symbol of the Devil and sin. That meaning, which has its roots in the Bible (I Kings, 17:37) was pointed out by authors like Saint Augustine, who emphasized the negative nature of the animal.&lt;br /&gt;
The bear, which has been interpreted as a leontophonos by C. Kendall, is located in the right side of the tympanum, close to a Christogram and opposite to a group dominated by another Christ-lion that spares a prostrated man.&lt;br /&gt;
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== Bibliography ==&lt;br /&gt;
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* Gaillard, Georges, “Notes sur les tympans aragonais”, in Bulletin Hispanique, XXX (1928), pp. 193-203.&lt;br /&gt;
* Kendall, Calvin B., “The Verse Inscriptions of the Tympanum of Jaca and the Pax Anagram”, in Mediaevalia, 19, 1996, pp. 405-434.&lt;br /&gt;
* Ocón Alonso, Dulce, Tímpanos románicos españoles: reinos de Aragón y Navarra, I, Madrid, Universidad Complutense, 1987.&lt;br /&gt;
* Simon, David L., “El tímpano de la catedral de Jaca”, in Jaca en la Corona de Aragón (siglos XII-XVIII). XV Congreso de Historia de la Corona de Aragón, III, Zaragoza, Diputación General de Aragón, 1994, pp. 405-419.&lt;br /&gt;
* Weisbach, Werner, Religiöse Reform und mittelalterliche Kunst, Einsiedeln-Zürich, 1945.&lt;br /&gt;
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Author&lt;br /&gt;
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Francisco de Asís García García&lt;/div&gt;</summary>
		<author><name>Walker</name></author>	</entry>

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