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	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2955</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2955"/>
				<updated>2009-07-16T11:19:08Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
The issue of eating swine is discussed several times in Jewish anti-Christian polemics. it was often arisen in connection with  the validity of the Mosaic Law and with the interpretation of Isaiah 65-66.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The citation below provides a good example for the discussion of the subject. It is from [http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben's] polemical treatise called ''Milhamot ha-Shem''. The book was one of the first anti-Christian treatise. it was composed in the third third of the 12th century in Provence. The subject of eating swine arises in connection with the validity of the Mosaic Law.  &lt;br /&gt;
&lt;br /&gt;
====='''Jacob ben Reuben: ''Milhamot ha-Shem 38-39'''''=====&lt;br /&gt;
If it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: ''Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD'' [Is.66:17] Behold, the reptile and the mouse are counted with the swine, andthe Prophet prophetises evil for the eaters [of swine's flesh], and there is no other people than you in the world for whom the swine is permitted;  as for the Ishmaelites, for them it is most strictly forbidden, and for us too it is strictly forbidden, but you remain the only ones to eat it, and yoo have forsaken the words in the Scripture spoken bythe Creator, blessed be He, and have walked after the words of contumely with which the wise men of your barren new doctrine deceived you;for there is no brain in their heads; and you have not remembered that it is forbidden in several Scriptural passages. For behold, it is written in one place: ...t''hose...who immolate dogs,/Who present as oblation the blood of swine,/Who offer incense andworship false gods''... [Is.66:3]; and the swine is likened to the dog, so why do you not eat dogs? All this you have seen with your eyes, but did not understand with your thoughts, and you became unclean in the gates of uncleanliness which your agitators andseducers opened for you;but you do not remember that your inheritance is vanity, for your fathers inherited lies, which are futile and worthless [cf. Jer.16:19].&lt;br /&gt;
(The translation is from Trautner-Kromann, ''Shield and Sword,'' 54. see bibliography)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Bibliography===&lt;br /&gt;
&lt;br /&gt;
Berger, David. T''he Jewish-Christian Debate in the High Middle Ages: A Critical Edition of the Nitzahon Vetus.'' Philadelphia, PA: Jewish Public Society of America, 1979. Hebrew text with English translation.&lt;br /&gt;
Trautner-Kromann, Hanne. Shield and Sword: ''Jewish Polemics Against Christianity and the Christians in France and Spain from 1100-1500.'' Tübingen : Mohr, 1993. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;br /&gt;
[[dietary laws]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2954</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2954"/>
				<updated>2009-07-16T11:16:19Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Swine in Jewish-Christian Polemics */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
The issue of eating swine is discussed several times in Jewish anti-Christian polemics. it was often arisen in connection with  the validity of the Mosaic Law and with the interpretation of Isaiah 65-66.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The citation below provides a good example for the discussion of the subject. It is from [http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben's] polemical treatise called ''Milhamot ha-Shem''. The book was one of the first anti-Christian treatise. it was composed in the third third of the 12th century in Provence. The subject of eating swine arises in connection with the validity of the Mosaic Law.  &lt;br /&gt;
&lt;br /&gt;
====='''Jacob ben Reuben: ''Milhamot ha-Shem 38-39'''''=====&lt;br /&gt;
If it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: ''Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD'' [Is.66:17] Behold, the reptile and the mouse are counted with the swine, andthe Prophet prophetises evil for the eaters [of swine's flesh], and there is no other people than you in the world for whom the swine is permitted;  as for the Ishmaelites, for them it is most strictly forbidden, and for us too it is strictly forbidden, but you remain the only ones to eat it, and yoo have forsaken the words in the Scripture spoken bythe Creator, blessed be He, and have walked after the words of contumely with which the wise men of your barren new doctrine deceived you;for there is no brain in their heads; and you have not remembered that it is forbidden in several Scriptural passages. For behold, it is written in one place: ...t''hose...who immolate dogs,/Who present as oblation the blood of swine,/Who offer incense andworship false gods''... [Is.66:3]; and the swine is likened to the dog, so why do you not eat dogs? all this you have seen with your eyes, but did not understand with your thoughts, and you became unclean in the gates of uncleanliness which your agitators andseducers opened for you;but you do not remember that your inheritance is vanity, for your fathers inherited lies, which are futile and worthless [cf. Jer.16:19].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Bibliography===&lt;br /&gt;
Trautner-Kromann, Hanne. Shield and Sword: ''Jewish Polemics Against Christianity and the Christians in France and Spain from 1100-1500.'' Tübingen : Mohr, 1993. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2953</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2953"/>
				<updated>2009-07-16T11:05:03Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
The issue of eating swine is discussed several times in Jewish anti-Christian polemics. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The citation below provides a good example for the discussion of the subject. It is from [http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben's] polemical treatise called ''Milhamot ha-Shem''. The book was one of the first anti-Christian treatise. it was composed in the third third of the 12th century in Provence. The subject of eating swine arises in connection with the validity of the Mosaic Law.  &lt;br /&gt;
&lt;br /&gt;
====='''Jacob ben Reuben: ''Milhamot ha-Shem 38-39'''''=====&lt;br /&gt;
If it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: ''Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD'' [Is.66:17] Behold, the reptile and the mouse are counted with the swine, andthe Prophet prophetises evil for the eaters [of swine's flesh], and there is no other people than you in the world for whom the swine is permitted;  as for the Ishmaelites, for them it is most strictly forbidden, and for us too it is strictly forbidden, but you remain the only ones to eat it, and yoo have forsaken the words in the Scripture spoken bythe Creator, blessed be He, and have walked after the words of contumely with which the wise men of your barren new doctrine deceived you;for there is no brain in their heads; and you have not remembered that it is forbidden in several Scriptural passages. For behold, it is written in one place: ...t''hose...who immolate dogs,/Who present as oblation the blood of swine,/Who offer incense andworship false gods''... [Is.66:3]; and the swine is likened to the dog, so why do you not eat dogs? all this you have seen with your eyes, but did not understand with your thoughts, and you became unclean in the gates of uncleanliness which your agitators andseducers opened for you;but you do not remember that your inheritance is vanity, for your fathers inherited lies, which are futile and worthless [cf. Jer.16:19].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Bibliography===&lt;br /&gt;
Trautner-Kromann, Hanne. Shield and Sword: ''Jewish Polemics Against Christianity and the Christians in France and Spain from 1100-1500.'' Tübingen : Mohr, 1993. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2952</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2952"/>
				<updated>2009-07-16T11:04:33Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Swine in Jewish-Christian Polemics */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
The issue of eating swine is discussed several times in Jewish anti-Christian polemics. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The citation below provides a good example for the discussion of the subject. It is from [http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben's] polemical treatise called ''Milhamot ha-Shem''. The book was one of the first anti-Christian treatise. it was composed in the third third of the 12th century in Provence. The subject of eating swine arises in connection with the validity of the Mosaic Law.  &lt;br /&gt;
&lt;br /&gt;
'''Jacob ben Reuben: ''Milhamot ha-Shem 38-39'''''&lt;br /&gt;
If it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: ''Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD'' [Is.66:17] Behold, the reptile and the mouse are counted with the swine, andthe Prophet prophetises evil for the eaters [of swine's flesh], and there is no other people than you in the world for whom the swine is permitted;  as for the Ishmaelites, for them it is most strictly forbidden, and for us too it is strictly forbidden, but you remain the only ones to eat it, and yoo have forsaken the words in the Scripture spoken bythe Creator, blessed be He, and have walked after the words of contumely with which the wise men of your barren new doctrine deceived you;for there is no brain in their heads; and you have not remembered that it is forbidden in several Scriptural passages. For behold, it is written in one place: ...t''hose...who immolate dogs,/Who present as oblation the blood of swine,/Who offer incense andworship false gods''... [Is.66:3]; and the swine is likened to the dog, so why do you not eat dogs? all this you have seen with your eyes, but did not understand with your thoughts, and you became unclean in the gates of uncleanliness which your agitators andseducers opened for you;but you do not remember that your inheritance is vanity, for your fathers inherited lies, which are futile and worthless [cf. Jer.16:19].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Bibliography===&lt;br /&gt;
Trautner-Kromann, Hanne. Shield and Sword: ''Jewish Polemics Against Christianity and the Christians in France and Spain from 1100-1500.'' Tübingen : Mohr, 1993. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2951</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2951"/>
				<updated>2009-07-16T10:59:03Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
The issue of eating swine is discussed several times in Jewish anti-Christian polemics. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The citation below provides a good example for the discussion of the subject. It is from [http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben's] polemical treatise called ''Milhamot ha-Shem''. The book was one of the first anti-Christian treatise. it was composed in the third third of the 12th century in Provence. The subject of eating swine arises in connection with the validity of the Mosaic Law.  &lt;br /&gt;
&lt;br /&gt;
If it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: ''Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD'' [Is.66:17] Behold, the reptile and the mouse are counted with the swine, andthe Prophet prophetises evil for the eaters [of swine's flesh], and there is no other people than you in the world for whom the swine is permitted;  as for the Ishmaelites, for them it is most strictly forbidden, and for us too it is strictly forbidden, but you remain the only ones to eat it, and yoo have forsaken the words in the Scripture spoken bythe Creator, blessed be He, and have walked after the words of contumely with which the wise men of your barren new doctrine deceived you;for there is no brain in their heads; and you have not remembered that it is forbidden in several Scriptural passages. For behold, it is written in one place: ...t''hose...who immolate dogs,/Who present as oblation the blood of swine,/Who offer incense andworship false gods''... [Is.66:3]; and the swine is likened to the dog, so why do you not eat dogs? all this you have seen with your eyes, but did not understand with your thoughts, and you became unclean in the gates of uncleanliness which your agitators andseducers opened for you;but you do not remember that your inheritance is vanity, for your fathers inherited lies, which are futile and worthless [cf. Jer.16:19].&lt;br /&gt;
(Milhamot ha-Shem 38-39)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Bibliography===&lt;br /&gt;
Trautner-Kromann, Hanne. Shield and Sword: ''Jewish Polemics Against Christianity and the Christians in France and Spain from 1100-1500.'' Tübingen : Mohr, 1993. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2950</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2950"/>
				<updated>2009-07-16T10:51:54Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
Source&lt;br /&gt;
[http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben]: ''Milhamot ha-Shem''&lt;br /&gt;
12th century, Provence&lt;br /&gt;
&lt;br /&gt;
If it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: ''Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD'' [Is.66:17] Behold, the reptile and the mouse are counted with the swine, andthe Prophet prophetises evil for the eaters [of swine's flesh], and there is no other people than you in the world for whom the swine is permitted;  as for the Ishmaelites, for them it is most strictly forbidden, and for us too it is strictly forbidden, but you remain the only ones to eat it, and yoo have forsaken the words in the Scripture spoken bythe Creator, blessed be He, and have walked after the words of contumely with which the wise men of your barren new doctrine deceived you;for there is no brain in their heads; and you have not remembered that it is forbidden in several Scriptural passages. For behold, it is written in one place: ...t''hose...who immolate dogs,/Who present as oblation the blood of swine,/Who offer incense andworship false gods''... [Is.66:3]; and the swine is likened to the dog, so why do you not eat dogs? all this you have seen with your eyes, but did not understand with your thoughts, and you became unclean in the gates of uncleanliness which your agitators andseducers opened for you;but you do not remember that your inheritance is vanity, for your fathers inherited lies, which are futile and worthless [cf. Jer.16:19].&lt;br /&gt;
(Milhamot ha-Shem 38-39)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Bibliography===&lt;br /&gt;
Trautner-Kromann, Hanne. Shield and Sword: ''Jewish Polemics Against Christianity and the Christians in France and Spain from 1100-1500.'' Tübingen : Mohr, 1993. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2949</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2949"/>
				<updated>2009-07-15T21:33:34Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
Source&lt;br /&gt;
[http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben]: ''Milhamot ha-Shem''&lt;br /&gt;
12th century, Provence&lt;br /&gt;
&lt;br /&gt;
if it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD [Is.66,17]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Bibliography===&lt;br /&gt;
Trautner-Kromann, Hanne. Shield and Sword: ''Jewish Polemics Against Christianity and the Christians in France and Spain from 1100-1500.'' Tübingen : Mohr, 1993. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2948</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2948"/>
				<updated>2009-07-15T21:28:18Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
Source&lt;br /&gt;
[http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben]: &amp;quot;Milhamot ha-Shem&amp;quot;&lt;br /&gt;
12th century, Provence&lt;br /&gt;
&lt;br /&gt;
if it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD [Is.66,17]&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2947</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2947"/>
				<updated>2009-07-15T21:27:12Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
Source&lt;br /&gt;
[http://en.wikipedia.org/wiki/Jacob_ben_Reuben_(rabbi) Jacob ben Reuben]: Milhamot ha-Shem&lt;br /&gt;
12th century, Provence&lt;br /&gt;
&lt;br /&gt;
if it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD [Is.66,17]&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2946</id>
		<title>Swine in Jewish-Christian Polemics</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Swine_in_Jewish-Christian_Polemics&amp;diff=2946"/>
				<updated>2009-07-15T13:32:45Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Swine in Jewish-Christian Polemics==&lt;br /&gt;
&lt;br /&gt;
Source&lt;br /&gt;
Jacob ben Reuben: Milhamot ha-Shem&lt;br /&gt;
12th century, Provence&lt;br /&gt;
&lt;br /&gt;
if it is because of the abomination, behold, I can give you proofs that you should likewise prohibit the pig because abomination, for the Scripture applies the same principle to it as to the mouse, for it is written: Those who ... eat... the flesh of the swine, the reptile, and the mouse, shall one and all come to an end--declares the LORD [Is.66,17]&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:polemics]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2925</id>
		<title>Pig in Jewish book illumination</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2925"/>
				<updated>2009-03-10T21:24:51Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pigs in medieval Jewish book illumination==&lt;br /&gt;
&lt;br /&gt;
Pigs are very rare in illustrations of Jewish manuscripts. It is not surprising considering the fact that pigs are the par excellene [http://en.wikipedia.org/wiki/Kashrut non-kosher] animals. Those few which do appear in Hebrew manuscripts, appear in different contexts, as a zodiac sign, as architectural decoration, or as the pursued one in a hunting scene. &lt;br /&gt;
&lt;br /&gt;
* [[Pigs in the Tripartite Mahzor]]&lt;br /&gt;
* [[Pigs in the Second Nuremberg Haggadah]]&lt;br /&gt;
* [[Pigs in the Sefer Evronot]]&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2924</id>
		<title>Pig in Jewish book illumination</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2924"/>
				<updated>2009-03-10T21:19:34Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Pigs in medieval Jewish book illumination */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pigs in medieval Jewish book illumination==&lt;br /&gt;
&lt;br /&gt;
Pigs are very rare in illustrations of Jewish manuscripts. It is not surprising considering the fact that pigs are the par excellene [http://en.wikipedia.org/wiki/Kashrut non-kosher] animals.&lt;br /&gt;
&lt;br /&gt;
* [[Pigs in the Tripartite Mahzor]]&lt;br /&gt;
* [[Pigs in the Second Nuremberg Haggadah]]&lt;br /&gt;
* [[Pigs in the Sefer Evronot]]&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2923</id>
		<title>Pig in Jewish book illumination</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2923"/>
				<updated>2009-03-10T21:18:11Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Pigs in medieval Jewish book illumination */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pigs in medieval Jewish book illumination==&lt;br /&gt;
&lt;br /&gt;
Pigs are very rare in illustrations of Jewish manuscripts. It is not surprising considering the fact that pigs are the par excellene non-kosher animals.&lt;br /&gt;
&lt;br /&gt;
* [[Pigs in the Tripartite Mahzor]]&lt;br /&gt;
* [[Pigs in the Second Nuremberg Haggadah]]&lt;br /&gt;
* [[Pigs in the Sefer Evronot]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2921</id>
		<title>Pig in Jewish book illumination</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2921"/>
				<updated>2009-03-10T21:17:18Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: Pig in medieval Jewish book illumination moved to Pig in Jewish book illumination&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pigs in medieval Jewish book illumination==&lt;br /&gt;
&lt;br /&gt;
Pigs are very rare in illustrations of medieval Jewish manuscripts. It is not surprising considering the fact that pigs are the par excellene non-kosher animals.&lt;br /&gt;
&lt;br /&gt;
* [[Pigs in the Tripartite Mahzor]]&lt;br /&gt;
* [[Pigs in the Second Nuremberg Haggadah]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_medieval_Jewish_book_illumination&amp;diff=2922</id>
		<title>Pig in medieval Jewish book illumination</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_medieval_Jewish_book_illumination&amp;diff=2922"/>
				<updated>2009-03-10T21:17:18Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: Pig in medieval Jewish book illumination moved to Pig in Jewish book illumination&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Pig in Jewish book illumination]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2920</id>
		<title>Pig in Jewish book illumination</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2920"/>
				<updated>2009-03-10T21:15:19Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Pigs in medieval Jewish book illumination */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pigs in medieval Jewish book illumination==&lt;br /&gt;
&lt;br /&gt;
Pigs are very rare in illustrations of medieval Jewish manuscripts. It is not surprising considering the fact that pigs are the par excellene non-kosher animals.&lt;br /&gt;
&lt;br /&gt;
* [[Pigs in the Tripartite Mahzor]]&lt;br /&gt;
* [[Pigs in the Second Nuremberg Haggadah]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2919</id>
		<title>Pig in Jewish book illumination</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2919"/>
				<updated>2009-03-10T21:14:43Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Pigs in medieval Jewish book illumination */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pigs in medieval Jewish book illumination==&lt;br /&gt;
&lt;br /&gt;
Pigs are very rare in illustrations of medieval Jewish manuscripts. It is not surprising considering the fact that pigs are the par excellene non-kosher animals.&lt;br /&gt;
&lt;br /&gt;
[[Pigs in the Tripartite Mahzor]]&lt;br /&gt;
[[Pigs in the Second Nuremberg Haggadah]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2918</id>
		<title>Pig in Jewish book illumination</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pig_in_Jewish_book_illumination&amp;diff=2918"/>
				<updated>2009-03-10T21:12:43Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pigs in medieval Jewish book illumination==&lt;br /&gt;
&lt;br /&gt;
Pigs are very rare in illustrations of medieval Jewish manuscripts. &lt;br /&gt;
&lt;br /&gt;
[[Pigs in the Tripartite Mahzor]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2917</id>
		<title>Pigs in the Sefer Evronot</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2917"/>
				<updated>2009-03-10T21:08:58Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Sefer Evronot ( Jerusalem, National Library, ms. Heb 2380)==&lt;br /&gt;
 	&lt;br /&gt;
&lt;br /&gt;
This [http://www.jnul.huji.ac.il/dl/mss/heb2380/index_eng.html manuscript] is a compilation of different texts about the Jewish calendar(the calculation of the leap years, the setting of the holidays, etc) produced in Halberstadt, Germany in the eighteenth century. It was written in Ashkenazi cursive script, and decorated with watercolor and gouache drawings. The scribe and the painter was the one and the same person,Pinkas ben Abraham Halevi (SeGaL). &lt;br /&gt;
&lt;br /&gt;
===Pigs in the Manuscript===&lt;br /&gt;
Pigs appear in the manuscript twice as wild boars pursued by a hunter and his dogs. The first hunting scene with a pig on folio 61r (see page 62 in the [http://jnul.huji.ac.il/dl/mss/heb2380/djvu/index.djvu?djvuopts&amp;amp;thumbnails=yes&amp;amp;zoom=page digitalized version])is decorated a text on the prophetic readings, ''haftarot''. &lt;br /&gt;
On f.139v (see page 141 in the [http://jnul.huji.ac.il/dl/mss/heb2380/djvu/index.djvu?djvuopts&amp;amp;thumbnails=yes&amp;amp;zoom=page digitalized version], the hunting scene is to illustrate the characteristic activity of the month May.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://www.jnul.huji.ac.il/dl/mss/heb2380/index_eng.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Calendar]]&lt;br /&gt;
[[category:16th to 18th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2916</id>
		<title>Pigs in the Sefer Evronot</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2916"/>
				<updated>2009-03-10T20:56:17Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Sefer Evronot ( Jerusalem, National Library, ms. Heb 2380)==&lt;br /&gt;
 	&lt;br /&gt;
&lt;br /&gt;
This [http://www.jnul.huji.ac.il/dl/mss/heb2380/index_eng.html manuscript] is a compilation of different texts about the Jewish calendar(the calculation of the leap years, the setting of the holidays, etc). It was produced in Halberstadt, Germany in the eighteenth century.It was written in Ashkenazi cursive script, and decorated with watercolor and gouache drawings. The scribe and the painter was the one and the same person,Pinkas ben Abraham Halevi (SeGaL). &lt;br /&gt;
&lt;br /&gt;
===Pigs in the Manuscript===&lt;br /&gt;
Pigs appear in the manuscript twice as wild boars pursued by a hunter and his dogs. The first hunting scene with a pig on folio 61r (see page 62 in the [http://jnul.huji.ac.il/dl/mss/heb2380/djvu/index.djvu?djvuopts&amp;amp;thumbnails=yes&amp;amp;zoom=page digitalized version])is decorated a text on the prophetic readings, ''haftarot''. &lt;br /&gt;
On f.139v (see page 141 in the [http://jnul.huji.ac.il/dl/mss/heb2380/djvu/index.djvu?djvuopts&amp;amp;thumbnails=yes&amp;amp;zoom=page digitalized version], the hunting scene is to illustrate the characteristic activity of the month May.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://www.jnul.huji.ac.il/dl/mss/heb2380/index_eng.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Calendar]]&lt;br /&gt;
[[category:16th to 18th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2915</id>
		<title>Pigs in the Sefer Evronot</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2915"/>
				<updated>2009-03-10T20:39:15Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Pigs in the Manuscript */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Sefer Evronot ( Jerusalem, National Library, ms. Heb 2380)==&lt;br /&gt;
 	&lt;br /&gt;
&lt;br /&gt;
This manuscript is a compilation of different texts about the Jewish calendar(the calculation of the leap years, the setting of the holidays, etc). It was produced in Halberstadt, Germany in the eighteenth century.It was written in Ashkenazi cursive script, and decorated with watercolor and gouache drawings. The scribe and the painter was the one and the same person,Pinkas ben Abraham Halevi (SeGaL). &lt;br /&gt;
&lt;br /&gt;
===Pigs in the Manuscript===&lt;br /&gt;
Pigs appear in the manuscript twice as wild boars pursued by a hunter and his dogs. Folio 61r (see page 62 in the [http://jnul.huji.ac.il/dl/mss/heb2380/djvu/index.djvu?djvuopts&amp;amp;thumbnails=yes&amp;amp;zoom=page digitalized version]) On f.139v (see page 140 in the [http://jnul.huji.ac.il/dl/mss/heb2380/djvu/index.djvu?djvuopts&amp;amp;thumbnails=yes&amp;amp;zoom=page digitalized version], the hunting scene is to illustrate the characteristic activity of the month May.&lt;br /&gt;
&lt;br /&gt;
==Pigs in the manuscript==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://www.jnul.huji.ac.il/dl/mss/heb2380/index_eng.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Calendar]]&lt;br /&gt;
[[category:16th to 18th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2914</id>
		<title>Pigs in the Sefer Evronot</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2914"/>
				<updated>2009-03-10T20:38:00Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* The Sefer Evronot ( Jerusalem, National Library, ms. Heb 2380) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Sefer Evronot ( Jerusalem, National Library, ms. Heb 2380)==&lt;br /&gt;
 	&lt;br /&gt;
&lt;br /&gt;
This manuscript is a compilation of different texts about the Jewish calendar(the calculation of the leap years, the setting of the holidays, etc). It was produced in Halberstadt, Germany in the eighteenth century.It was written in Ashkenazi cursive script, and decorated with watercolor and gouache drawings. The scribe and the painter was the one and the same person,Pinkas ben Abraham Halevi (SeGaL). &lt;br /&gt;
&lt;br /&gt;
===Pigs in the Manuscript===&lt;br /&gt;
Pigs appear in the manuscript twice as wild boars pursued by a hunter and his dogs. On f.61r (see page 62 in the   [http://jnul.huji.ac.il/dl/mss/heb2380/djvu/index.djvu?djvuopts&amp;amp;thumbnails=yes&amp;amp;zoom=page digitalized version]) On f.139v, the hunting scene is to illustrate the characteristic activity of the month May.&lt;br /&gt;
&lt;br /&gt;
==Pigs in the manuscript==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://www.jnul.huji.ac.il/dl/mss/heb2380/index_eng.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Calendar]]&lt;br /&gt;
[[category:16th to 18th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2913</id>
		<title>Pigs in the Sefer Evronot</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2913"/>
				<updated>2009-03-10T20:36:25Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* The Sefer Evronot ( Jerusalem, National Library, ms. Heb 2380) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Sefer Evronot ( Jerusalem, National Library, ms. Heb 2380)==&lt;br /&gt;
 	&lt;br /&gt;
&lt;br /&gt;
This manuscript is a compilation of different texts about the Jewish calendar(the calculation of the leap years, the setting of the holidays, etc). It was produced in Halberstadt, Germany in the eighteenth century.It was written in Ashkenazi cursive script, and decorated with watercolor and gouache drawings. The scribe and the painter was the one and the same person,Pinkas ben Abraham Halevi (SeGaL). &lt;br /&gt;
&lt;br /&gt;
===Pigs in the Manuscript===&lt;br /&gt;
Pigs appear in the manuscript twice as wild boars pursued by a hunter and his dogs. On f.61r On f.139v, the hunting scene is to illustrate the characteristic activity of the month May.&lt;br /&gt;
&lt;br /&gt;
==Pigs in the manuscript==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://www.jnul.huji.ac.il/dl/mss/heb2380/index_eng.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Calendar]]&lt;br /&gt;
[[category:16th to 18th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2912</id>
		<title>Pigs in the Sefer Evronot</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Sefer_Evronot&amp;diff=2912"/>
				<updated>2009-03-10T20:07:17Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==The Sefer Evronot ( Jerusalem, National Library, ms. Heb 2380)==&lt;br /&gt;
 	&lt;br /&gt;
&lt;br /&gt;
This manuscript is a compilation of different texts about the Jewish calendar(the calculation of the leap years, the setting of the holidays, etc). It was produced in Halberstadt, Germany in the eighteenth century.It was written in Ashkenazi cursive script, and decorated with watercolor and gouache drawings. The scribe and the painter was the one and the same person,Pinkas ben Abraham Halevi (SeGaL). &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
On most of the pages there are lovely drawings in watercolor and gouache; some are illustrations to the text and some do not have any obvious connection to the text. Many drawings are scenes taken from Jewish tradition and from Christian culture, from the life of European nobility and peasants - such as the agricultural tasks of each month, modeled on peasant calendars. In the manuscript there are many symbolic drawings - angels in the shape of putti and women, ornamented initial words, zoomorphic characters, floral decorations, animals and birds.&lt;br /&gt;
&lt;br /&gt;
==Pigs in the manuscript==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://www.jnul.huji.ac.il/dl/mss/heb2380/index_eng.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Calendar]]&lt;br /&gt;
[[category:16th to 18th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2892</id>
		<title>Pigs in the Tripartite Mahzor</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2892"/>
				<updated>2009-01-29T08:51:00Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== The Tripartite Mahzor ==&lt;br /&gt;
&lt;br /&gt;
The Tripartite Mahzor (Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384) is a fourteenth-century [[http://en.wikipedia.org/wiki/Ashkenazi_Jews Ashkenazi]] prayerbook produced in the area of Lake Constance around 1320. It is divided into three parts. The first part is preserved in Budapest, in the [[http://kaufmann.mtak.hu/index-en.html Kaufmann collection]] of the Hungarian Academy of Sciences (MS A384). It contains prayers and piyyuts for the special Shabbats,  Purim, Pesah (Passover), and the Song of Songs. The second part (London, British Library Add. Ms. 22413) contains prayers and piyyuts for Shavuot, the Book of Ruth, Sukkot and the Book of Ecclesiastes. In the third volume (Oxford, Bodleian Library Ms. Michael 619) there are prayers and piyyuts for Rosh ha-Shanah and Yom Kippur. While the size of the codices is different, the size of the text areas and the style of the illuminations are the same.  Therefore, the three volumes probably originally constituted a one- or two-volume codex, which began with Rosh ha-Shanah and ended with Shavuot.  It may have been cut and divided into three parts some time later. None of the volumes has a colophon. The only name given is that of the scribe. He was a certain Hayyim. His name is written at the end of the commentary to Ruth (“חיים חזק”, vol.2, fol. 80v), and this word is decorated in the text in another page of the same volume (fol.103v). A certain scribe Hayyim (חיים סופר) also copied the so-called Schocken Bible (Southern Germany, c.1300; Jerusalem, Schocken Library, Ms.14840), and two close stylistic relatives of the Tripartite Mahzor: the Pentateuch of the Duke of Sussex (Southern Germany; London, British Library, Add. Ms 15282)  and the Sefer Mitzvot Katan (Lake Constance Region, probably Konstanz, ca.1310; Vienna, Österreichische Nationalbibliothek Cod. Heb. 75).&lt;br /&gt;
&lt;br /&gt;
The [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm digitalized version] of the manuscript is available online.&lt;br /&gt;
&lt;br /&gt;
===The zodiac sign of Crab===&lt;br /&gt;
[[Image:TripartiteMahzor_vol1_143r.jpg|250px|thumb|''Zodiac sign of Crab and the labor of month Tammuz. [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
In the first volume, the prayer for dew is decorated with zodiac signs and the labors of the months (fols.142r-145v). This image depicts the Crab (סרטן)together with the labor of month [[http://en.wikipedia.org/wiki/Hebrew_calendar Tammuz]]. The crab is portrayed here as a strange hybrid created from the limbs different animals: its body is that of a roar, its legs  are those of a frog, and its tail is a fish.&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
Fishof, Iris, ed. ''Written in the Stars; Art and Symbolism of the Zodiac.'' Jerusalem: Israel Museum, 2001.&lt;br /&gt;
&lt;br /&gt;
Narkiss, Bezalel. „A Tripartite Illuminated Mahzor from a South German School of Hebrew Illuminated Manuscripts around 1300.” In ''Fourth World Congress of Jewish Studies Papers'', , Vol 2. Jerusalem: World Union of Jewish Studies, 1968.&lt;br /&gt;
&lt;br /&gt;
Ormos, István. ''Kaufmann Dávid és gyűjteménye. Különnyomat az Örökségünk, Élő Múltunk. Gyűjtemények a Magyar Tudományos Akadémia Könyvtárában című kötetből'' (Dávid Kaufmann and his Collection. Extract from Our Heritage, Our Living Past. Collections in the Library of the Academy of Sciences). Budapest: Magyar Tudományos Akadémia Könyvtára, 2001.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://kaufmann.mtak.hu/en/ms384/ms384-143r.htm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Zodiac]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2891</id>
		<title>Pigs in the Tripartite Mahzor</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2891"/>
				<updated>2009-01-29T08:49:32Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[[http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1]|thumb|Prayer for dew illustrated with the zodiac signs of Twins and Cancer together with the labors of months of Sivan and Tammuz , Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== The Tripartite Mahzor ==&lt;br /&gt;
&lt;br /&gt;
The Tripartite Mahzor is a fourteenth-century [[http://en.wikipedia.org/wiki/Ashkenazi_Jews Ashkenazi]] prayerbook divided into three parts.  The first part is preserved in Budapest, in the [[http://kaufmann.mtak.hu/index-en.html Kaufmann collection]] of the Hungarian Academy of Sciences (MS A384). It contains prayers and piyyuts for the special Shabbats,  Purim, Pesah (Passover), and the Song of Songs. The second part (London, British Library Add. Ms. 22413) contains prayers and piyyuts for Shavuot, the Book of Ruth, Sukkot and the Book of Ecclesiastes. In the third volume (Oxford, Bodleian Library Ms. Michael 619) there are prayers and piyyuts for Rosh ha-Shanah and Yom Kippur. While the size of the codices is different, the size of the text areas and the style of the illuminations are the same.  Therefore, the three volumes probably originally constituted a one- or two-volume codex, which began with Rosh ha-Shanah and ended with Shavuot.  It may have been cut and divided into three parts some time later. None of the volumes has a colophon. The only name given is that of the scribe. He was a certain Hayyim. His name is written at the end of the commentary to Ruth (“חיים חזק”, vol.2, fol. 80v), and this word is decorated in the text in another page of the same volume (fol.103v). A certain scribe Hayyim (חיים סופר) also copied the so-called Schocken Bible (Southern Germany, c.1300; Jerusalem, Schocken Library, Ms.14840), and two close stylistic relatives of the Tripartite Mahzor: the Pentateuch of the Duke of Sussex (Southern Germany; London, British Library, Add. Ms 15282)  and the Sefer Mitzvot Katan (Lake Constance Region, probably Konstanz, ca.1310; Vienna, Österreichische Nationalbibliothek Cod. Heb. 75).&lt;br /&gt;
&lt;br /&gt;
The [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm digitalized version] of the manuscript is available online.&lt;br /&gt;
&lt;br /&gt;
===The zodiac sign of Crab===&lt;br /&gt;
[[Image:TripartiteMahzor_vol1_143r.jpg|250px|thumb|''Zodiac sign of Crab and the labor of month Tammuz. [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
In the first volume, the prayer for dew is decorated with zodiac signs and the labors of the months (fols.142r-145v). This image depicts the Crab (סרטן)together with the labor of month [[http://en.wikipedia.org/wiki/Hebrew_calendar Tammuz]]. The crab is portrayed here as a strange hybrid created from the limbs different animals: its body is that of a roar, its legs  are those of a frog, and its tail is a fish.&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
Fishof, Iris, ed. ''Written in the Stars; Art and Symbolism of the Zodiac.'' Jerusalem: Israel Museum, 2001.&lt;br /&gt;
&lt;br /&gt;
Narkiss, Bezalel. „A Tripartite Illuminated Mahzor from a South German School of Hebrew Illuminated Manuscripts around 1300.” In ''Fourth World Congress of Jewish Studies Papers'', , Vol 2. Jerusalem: World Union of Jewish Studies, 1968.&lt;br /&gt;
&lt;br /&gt;
Ormos, István. ''Kaufmann Dávid és gyűjteménye. Különnyomat az Örökségünk, Élő Múltunk. Gyűjtemények a Magyar Tudományos Akadémia Könyvtárában című kötetből'' (Dávid Kaufmann and his Collection. Extract from Our Heritage, Our Living Past. Collections in the Library of the Academy of Sciences). Budapest: Magyar Tudományos Akadémia Könyvtára, 2001.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://kaufmann.mtak.hu/en/ms384/ms384-143r.htm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Zodiac]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2890</id>
		<title>Pigs in the Tripartite Mahzor</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2890"/>
				<updated>2009-01-29T08:48:42Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tripartite_Mahzor_1_143r_whole_page.jpg|300px|thumb|Prayer for dew illustrated with the zodiac signs of Twins and Cancer together with the labors of months of Sivan and Tammuz [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== The Tripartite Mahzor ==&lt;br /&gt;
&lt;br /&gt;
The Tripartite Mahzor is a fourteenth-century [[http://en.wikipedia.org/wiki/Ashkenazi_Jews Ashkenazi]] prayerbook divided into three parts.  The first part is preserved in Budapest, in the [[http://kaufmann.mtak.hu/index-en.html Kaufmann collection]] of the Hungarian Academy of Sciences (MS A384). It contains prayers and piyyuts for the special Shabbats,  Purim, Pesah (Passover), and the Song of Songs. The second part (London, British Library Add. Ms. 22413) contains prayers and piyyuts for Shavuot, the Book of Ruth, Sukkot and the Book of Ecclesiastes. In the third volume (Oxford, Bodleian Library Ms. Michael 619) there are prayers and piyyuts for Rosh ha-Shanah and Yom Kippur. While the size of the codices is different, the size of the text areas and the style of the illuminations are the same.  Therefore, the three volumes probably originally constituted a one- or two-volume codex, which began with Rosh ha-Shanah and ended with Shavuot.  It may have been cut and divided into three parts some time later. None of the volumes has a colophon. The only name given is that of the scribe. He was a certain Hayyim. His name is written at the end of the commentary to Ruth (“חיים חזק”, vol.2, fol. 80v), and this word is decorated in the text in another page of the same volume (fol.103v). A certain scribe Hayyim (חיים סופר) also copied the so-called Schocken Bible (Southern Germany, c.1300; Jerusalem, Schocken Library, Ms.14840), and two close stylistic relatives of the Tripartite Mahzor: the Pentateuch of the Duke of Sussex (Southern Germany; London, British Library, Add. Ms 15282)  and the Sefer Mitzvot Katan (Lake Constance Region, probably Konstanz, ca.1310; Vienna, Österreichische Nationalbibliothek Cod. Heb. 75).&lt;br /&gt;
&lt;br /&gt;
The [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm digitalized version] of the manuscript is available online.&lt;br /&gt;
&lt;br /&gt;
===The zodiac sign of Crab===&lt;br /&gt;
[[Image:TripartiteMahzor_vol1_143r.jpg|250px|thumb|''Zodiac sign of Crab and the labor of month Tammuz. [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
In the first volume, the prayer for dew is decorated with zodiac signs and the labors of the months (fols.142r-145v). This image depicts the Crab (סרטן)together with the labor of month [[http://en.wikipedia.org/wiki/Hebrew_calendar Tammuz]]. The crab is portrayed here as a strange hybrid created from the limbs different animals: its body is that of a roar, its legs  are those of a frog, and its tail is a fish.&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
Fishof, Iris, ed. ''Written in the Stars; Art and Symbolism of the Zodiac.'' Jerusalem: Israel Museum, 2001.&lt;br /&gt;
&lt;br /&gt;
Narkiss, Bezalel. „A Tripartite Illuminated Mahzor from a South German School of Hebrew Illuminated Manuscripts around 1300.” In ''Fourth World Congress of Jewish Studies Papers'', , Vol 2. Jerusalem: World Union of Jewish Studies, 1968.&lt;br /&gt;
&lt;br /&gt;
Ormos, István. ''Kaufmann Dávid és gyűjteménye. Különnyomat az Örökségünk, Élő Múltunk. Gyűjtemények a Magyar Tudományos Akadémia Könyvtárában című kötetből'' (Dávid Kaufmann and his Collection. Extract from Our Heritage, Our Living Past. Collections in the Library of the Academy of Sciences). Budapest: Magyar Tudományos Akadémia Könyvtára, 2001.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://kaufmann.mtak.hu/en/ms384/ms384-143r.htm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Zodiac]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2889</id>
		<title>Pigs in the Tripartite Mahzor</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2889"/>
				<updated>2009-01-28T20:02:50Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tripartite_Mahzor_1_143r_whole_page.jpg|300px|thumb|Prayer for dew illustrated with the zodiac signs of Twins and Cancer together with the labors of months of Sivan and Tammuz [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== The Tripartite Mahzor ==&lt;br /&gt;
&lt;br /&gt;
The Tripartite Mahzor is a fourteenth-century [[http://en.wikipedia.org/wiki/Ashkenazi_Jews Ashkenazi]] prayerbook divided into three parts.  The first part is preserved in Budapest, in the [[http://kaufmann.mtak.hu/index-en.html Kaufmann collection]] of the Hungarian Academy of Sciences (MS A384). It contains prayers and piyyuts for the special Shabbats,  Purim, Pesah (Passover), and the Song of Songs. The second part (London, British Library Add. Ms. 22413) contains prayers and piyyuts for Shavuot, the Book of Ruth, Sukkot and the Book of Ecclesiastes. In the third volume (Oxford, Bodleian Library Ms. Michael 619) there are prayers and piyyuts for Rosh ha-Shanah and Yom Kippur. While the size of the codices is different, the size of the text areas and the style of the illuminations are the same.  Therefore, the three volumes probably originally constituted a one- or two-volume codex, which began with Rosh ha-Shanah and ended with Shavuot.  It may have been cut and divided into three parts some time later. None of the volumes has a colophon. The only name given is that of the scribe. He was a certain Hayyim. His name is written at the end of the commentary to Ruth (“חיים חזק”, vol.2, fol. 80v), and this word is decorated in the text in another page of the same volume (fol.103v). A certain scribe Hayyim (חיים סופר) also copied the so-called Schocken Bible (Southern Germany, c.1300; Jerusalem, Schocken Library, Ms.14840), and two close stylistic relatives of the Tripartite Mahzor: the Pentateuch of the Duke of Sussex (Southern Germany; London, British Library, Add. Ms 15282)  and the Sefer Mitzvot Katan (Lake Constance Region, probably Konstanz, ca.1310; Vienna, Österreichische Nationalbibliothek Cod. Heb. 75).&lt;br /&gt;
&lt;br /&gt;
The [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm digitalized version] of the manuscript is available online.&lt;br /&gt;
&lt;br /&gt;
===The zodiac sign of Crab===&lt;br /&gt;
[[Image:TripartiteMahzor_vol1_143r.jpg|250px|thumb|''Zodiac sign of Crab and the labor of month Tammuz. [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
In the first volume, the prayer for dew is decorated with zodiac signs and the labors of the months (fols.142r-145v). This image depicts the Crab (סרטן)together with the labor of month [[http://en.wikipedia.org/wiki/Hebrew_calendar Tammuz]]. The crab is portrayed here as a strange hybrid created from the limbs different animals: its body is that of a roar, its legs  are those of a frog, and its tail is a fish.&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
Fishof, Iris, ed. ''Written in the Stars; Art and Symbolism of the Zodiac.'' Jerusalem: Israel Museum, 2001.&lt;br /&gt;
&lt;br /&gt;
Narkiss, Bezalel. „A Tripartite Illuminated Mahzor from a South German School of Hebrew Illuminated Manuscripts around 1300.” In ''Fourth World Congress of Jewish Studies Papers'', , Vol 2. Jerusalem: World Union of Jewish Studies, 1968.&lt;br /&gt;
&lt;br /&gt;
Ormos, István. ''Kaufmann Dávid és gyűjteménye. Különnyomat az Örökségünk, Élő Múltunk. Gyűjtemények a Magyar Tudományos Akadémia Könyvtárában című kötetből'' (Dávid Kaufmann and his Collection. Extract from Our Heritage, Our Living Past. Collections in the Library of the Academy of Sciences). Budapest: Magyar Tudományos Akadémia Könyvtára, 2001.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://kaufmann.mtak.hu/en/ms384/ms384-143r.htm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2888</id>
		<title>Pigs in the Tripartite Mahzor</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2888"/>
				<updated>2009-01-28T20:02:28Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tripartite_Mahzor_1_143r_whole_page.jpg|300px|thumb|Prayer for dew illustrated with the zodiac signs of Twins and Cancer together with the labors of months of Sivan and Tammuz [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== The Tripartite Mahzor ==&lt;br /&gt;
&lt;br /&gt;
The Tripartite Mahzor is a fourteenth-century [[http://en.wikipedia.org/wiki/Ashkenazi_Jews Ashkenazi]] prayerbook divided into three parts.  The first part is preserved in Budapest, in the [[http://kaufmann.mtak.hu/index-en.html Kaufmann collection]] of the Hungarian Academy of Sciences (MS A384). It contains prayers and piyyuts for the special Shabbats,  Purim, Pesah (Passover), and the Song of Songs. The second part (London, British Library Add. Ms. 22413) contains prayers and piyyuts for Shavuot, the Book of Ruth, Sukkot and the Book of Ecclesiastes. In the third volume (Oxford, Bodleian Library Ms. Michael 619) there are prayers and piyyuts for Rosh ha-Shanah and Yom Kippur. While the size of the codices is different, the size of the text areas and the style of the illuminations are the same.  Therefore, the three volumes probably originally constituted a one- or two-volume codex, which began with Rosh ha-Shanah and ended with Shavuot.  It may have been cut and divided into three parts some time later. None of the volumes has a colophon. The only name given is that of the scribe. He was a certain Hayyim. His name is written at the end of the commentary to Ruth (“חיים חזק”, vol.2, fol. 80v), and this word is decorated in the text in another page of the same volume (fol.103v). A certain scribe Hayyim (חיים סופר) also copied the so-called Schocken Bible (Southern Germany, c.1300; Jerusalem, Schocken Library, Ms.14840), and two close stylistic relatives of the Tripartite Mahzor: the Pentateuch of the Duke of Sussex (Southern Germany; London, British Library, Add. Ms 15282)  and the Sefer Mitzvot Katan (Lake Constance Region, probably Konstanz, ca.1310; Vienna, Österreichische Nationalbibliothek Cod. Heb. 75).&lt;br /&gt;
&lt;br /&gt;
The [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm digitalized] version of the manuscript is available online.&lt;br /&gt;
&lt;br /&gt;
===The zodiac sign of Crab===&lt;br /&gt;
[[Image:TripartiteMahzor_vol1_143r.jpg|250px|thumb|''Zodiac sign of Crab and the labor of month Tammuz. [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
In the first volume, the prayer for dew is decorated with zodiac signs and the labors of the months (fols.142r-145v). This image depicts the Crab (סרטן)together with the labor of month [[http://en.wikipedia.org/wiki/Hebrew_calendar Tammuz]]. The crab is portrayed here as a strange hybrid created from the limbs different animals: its body is that of a roar, its legs  are those of a frog, and its tail is a fish.&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
Fishof, Iris, ed. ''Written in the Stars; Art and Symbolism of the Zodiac.'' Jerusalem: Israel Museum, 2001.&lt;br /&gt;
&lt;br /&gt;
Narkiss, Bezalel. „A Tripartite Illuminated Mahzor from a South German School of Hebrew Illuminated Manuscripts around 1300.” In ''Fourth World Congress of Jewish Studies Papers'', , Vol 2. Jerusalem: World Union of Jewish Studies, 1968.&lt;br /&gt;
&lt;br /&gt;
Ormos, István. ''Kaufmann Dávid és gyűjteménye. Különnyomat az Örökségünk, Élő Múltunk. Gyűjtemények a Magyar Tudományos Akadémia Könyvtárában című kötetből'' (Dávid Kaufmann and his Collection. Extract from Our Heritage, Our Living Past. Collections in the Library of the Academy of Sciences). Budapest: Magyar Tudományos Akadémia Könyvtára, 2001.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://kaufmann.mtak.hu/en/ms384/ms384-143r.htm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2887</id>
		<title>Pigs in the Tripartite Mahzor</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2887"/>
				<updated>2009-01-28T20:01:14Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tripartite_Mahzor_1_143r_whole_page.jpg|300px|thumb|Prayer for dew illustrated with the zodiac signs of Twins and Cancer together with the labors of months of Sivan and Tammuz [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== The Tripartite Mahzor ==&lt;br /&gt;
&lt;br /&gt;
The Tripartite Mahzor is a fourteenth-century [[http://en.wikipedia.org/wiki/Ashkenazi_Jews Ashkenazi]] prayerbook divided into three parts.  The first part is preserved in Budapest, in the [[http://kaufmann.mtak.hu/index-en.html Kaufmann collection]] of the Hungarian Academy of Sciences (MS A384). It contains prayers and piyyuts for the special Shabbats,  Purim, Pesah (Passover), and the Song of Songs. The second part (London, British Library Add. Ms. 22413) contains prayers and piyyuts for Shavuot, the Book of Ruth, Sukkot and the Book of Ecclesiastes. In the third volume (Oxford, Bodleian Library Ms. Michael 619) there are prayers and piyyuts for Rosh ha-Shanah and Yom Kippur. While the size of the codices is different, the size of the text areas and the style of the illuminations are the same.  Therefore, the three volumes probably originally constituted a one- or two-volume codex, which began with Rosh ha-Shanah and ended with Shavuot.  It may have been cut and divided into three parts some time later. None of the volumes has a colophon. The only name given is that of the scribe. He was a certain Hayyim. His name is written at the end of the commentary to Ruth (“חיים חזק”, vol.2, fol. 80v), and this word is decorated in the text in another page of the same volume (fol.103v). A certain scribe Hayyim (חיים סופר) also copied the so-called Schocken Bible (Southern Germany, c.1300; Jerusalem, Schocken Library, Ms.14840), and two close stylistic relatives of the Tripartite Mahzor: the Pentateuch of the Duke of Sussex (Southern Germany; London, British Library, Add. Ms 15282)  and the Sefer Mitzvot Katan (Lake Constance Region, probably Konstanz, ca.1310; Vienna, Österreichische Nationalbibliothek Cod. Heb. 75).&lt;br /&gt;
&lt;br /&gt;
The [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm digitalized] version of the manuscript is available online.&lt;br /&gt;
&lt;br /&gt;
===The zodiac sign of Crab===&lt;br /&gt;
[[Image:TripartiteMahzor_vol1_143r.jpg|250px|thumb|''Zodiac sign of Crab and the labor of month Tammuz. [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the first volume, the prayer for dew is decorated with zodiac signs and the labors of the months (fols.142r-145v). This image depicts the Crab (סרטן)together with the labor of month [[http://en.wikipedia.org/wiki/Hebrew_calendar Tammuz]]. The crab is portrayed here as a strange hybrid created from the limbs different animals: its body is that of a roar, its legs  are those of a frog, and its tail is a fish.&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
Fishof, Iris, ed. ''Written in the Stars; Art and Symbolism of the Zodiac.'' Jerusalem: Israel Museum, 2001.&lt;br /&gt;
&lt;br /&gt;
Narkiss, Bezalel. „A Tripartite Illuminated Mahzor from a South German School of Hebrew Illuminated Manuscripts around 1300.” In ''Fourth World Congress of Jewish Studies Papers'', , Vol 2. Jerusalem: World Union of Jewish Studies, 1968.&lt;br /&gt;
&lt;br /&gt;
Ormos, István. ''Kaufmann Dávid és gyűjteménye. Különnyomat az Örökségünk, Élő Múltunk. Gyűjtemények a Magyar Tudományos Akadémia Könyvtárában című kötetből'' (Dávid Kaufmann and his Collection. Extract from Our Heritage, Our Living Past. Collections in the Library of the Academy of Sciences). Budapest: Magyar Tudományos Akadémia Könyvtára, 2001.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://kaufmann.mtak.hu/en/ms384/ms384-143r.htm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2885</id>
		<title>Pigs in the Tripartite Mahzor</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2885"/>
				<updated>2009-01-28T19:59:08Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: Tripartite Mahzor Zodiac moved to Pigs in the Tripartite Mahzor&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tripartite_Mahzor_1_143r_whole_page.jpg|300px|thumb|Prayer for dew illustrated with the zodiac signs of Twins and Cancer together with the labors of months of Sivan and Tammuz [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== The Tripartite Mahzor ==&lt;br /&gt;
&lt;br /&gt;
The Tripartite Mahzor is a fourteenth-century [[http://en.wikipedia.org/wiki/Ashkenazi_Jews Ashkenazi]] prayerbook divided into three parts.  The first part is preserved in Budapest, in the [[http://kaufmann.mtak.hu/index-en.html Kaufmann collection]] of the Hungarian Academy of Sciences (MS A384). It contains prayers and piyyuts for the special Shabbats,  Purim, Pesah (Passover), and the Song of Songs. The second part (London, British Library Add. Ms. 22413) contains prayers and piyyuts for Shavuot, the Book of Ruth, Sukkot and the Book of Ecclesiastes. In the third volume (Oxford, Bodleian Library Ms. Michael 619) there are prayers and piyyuts for Rosh ha-Shanah and Yom Kippur. While the size of the codices is different, the size of the text areas and the style of the illuminations are the same.  Therefore, the three volumes probably originally constituted a one- or two-volume codex, which began with Rosh ha-Shanah and ended with Shavuot.  It may have been cut and divided into three parts some time later. None of the volumes has a colophon. The only name given is that of the scribe. He was a certain Hayyim. His name is written at the end of the commentary to Ruth (“חיים חזק”, vol.2, fol. 80v), and this word is decorated in the text in another page of the same volume (fol.103v). A certain scribe Hayyim (חיים סופר) also copied the so-called Schocken Bible (Southern Germany, c.1300; Jerusalem, Schocken Library, Ms.14840), and two close stylistic relatives of the Tripartite Mahzor: the Pentateuch of the Duke of Sussex (Southern Germany; London, British Library, Add. Ms 15282)  and the Sefer Mitzvot Katan (Lake Constance Region, probably Konstanz, ca.1310; Vienna, Österreichische Nationalbibliothek Cod. Heb. 75).&lt;br /&gt;
&lt;br /&gt;
===The zodiac sign of Crab===&lt;br /&gt;
[[Image:TripartiteMahzor_vol1_143r.jpg|250px|thumb|''Zodiac sign of Crab and the labor of month Tammuz. [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the first volume, the prayer for dew is decorated with zodiac signs and the labors of the months (fols.142r-145v). This image depicts the Crab (סרטן)together with the labor of month [[http://en.wikipedia.org/wiki/Hebrew_calendar Tammuz]]. The crab is portrayed here as a strange hybrid created from the limbs different animals: its body is that of a roar, its legs  are those of a frog, and its tail is a fish.&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
Fishof, Iris, ed. ''Written in the Stars; Art and Symbolism of the Zodiac.'' Jerusalem: Israel Museum, 2001.&lt;br /&gt;
&lt;br /&gt;
Narkiss, Bezalel. „A Tripartite Illuminated Mahzor from a South German School of Hebrew Illuminated Manuscripts around 1300.” In ''Fourth World Congress of Jewish Studies Papers'', , Vol 2. Jerusalem: World Union of Jewish Studies, 1968.&lt;br /&gt;
&lt;br /&gt;
Ormos, István. ''Kaufmann Dávid és gyűjteménye. Különnyomat az Örökségünk, Élő Múltunk. Gyűjtemények a Magyar Tudományos Akadémia Könyvtárában című kötetből'' (Dávid Kaufmann and his Collection. Extract from Our Heritage, Our Living Past. Collections in the Library of the Academy of Sciences). Budapest: Magyar Tudományos Akadémia Könyvtára, 2001.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://kaufmann.mtak.hu/en/ms384/ms384-143r.htm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Tripartite_Mahzor_Zodiac&amp;diff=2886</id>
		<title>Tripartite Mahzor Zodiac</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Tripartite_Mahzor_Zodiac&amp;diff=2886"/>
				<updated>2009-01-28T19:59:08Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: Tripartite Mahzor Zodiac moved to Pigs in the Tripartite Mahzor&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Pigs in the Tripartite Mahzor]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2884</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2884"/>
				<updated>2009-01-28T19:58:14Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
The [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/ digitalized version] of the manuscript is available online.&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards which were popular in Upper- and Middle-Rhein regions during the fifteenth century. However, pigs do not appear on these playing cards. According to Joseph Gutmann, they might have a deeper meaning expressing a sort of warning against drinking to much and getting into the condition of &amp;quot;pigishness of Jewry's tormentors.&amp;quot;&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.''] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in ''The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995'', edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: ''Proceedings of the Eleventh World Congress of Jewish Studies'', Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;Joseph Gutmann, ''Images of the Jewish Past: An introduction to medieval Hebrew miniatures'' (New York: Society of Jewish Bibliophiles, 1965), 20.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;br /&gt;
[[category:urban]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2883</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2883"/>
				<updated>2009-01-28T19:55:05Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image: http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/|thumb| ''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards which were popular in Upper- and Middle-Rhein regions during the fifteenth century. However, pigs do not appear on these playing cards. According to Joseph Gutmann, they might have a deeper meaning expressing a sort of warning against drinking to much and getting into the condition of &amp;quot;pigishness of Jewry's tormentors.&amp;quot;&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.''] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in ''The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995'', edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: ''Proceedings of the Eleventh World Congress of Jewish Studies'', Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;Joseph Gutmann, Images of the Jewish Past: An introduction to medieval Hebrew miniatures (New York: Society of Jewish Bibliophiles, 1965), 20.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;br /&gt;
[[category:urban]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2848</id>
		<title>Pigs in the Tripartite Mahzor</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Tripartite_Mahzor&amp;diff=2848"/>
				<updated>2009-01-27T17:46:30Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tripartite_Mahzor_1_143r_whole_page.jpg|300px|thumb|Prayer for dew illustrated with the zodiac signs of Twins and Cancer together with the labors of months of Sivan and Tammuz [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== The Tripartite Mahzor ==&lt;br /&gt;
&lt;br /&gt;
The Tripartite Mahzor is a fourteenth-century [[http://en.wikipedia.org/wiki/Ashkenazi_Jews Ashkenazi]] prayerbook divided into three parts.  The first part is preserved in Budapest, in the [[http://kaufmann.mtak.hu/index-en.html Kaufmann collection]] of the Hungarian Academy of Sciences (MS A384). It contains prayers and piyyuts for the special Shabbats,  Purim, Pesah (Passover), and the Song of Songs. The second part (London, British Library Add. Ms. 22413) contains prayers and piyyuts for Shavuot, the Book of Ruth, Sukkot and the Book of Ecclesiastes. In the third volume (Oxford, Bodleian Library Ms. Michael 619) there are prayers and piyyuts for Rosh ha-Shanah and Yom Kippur. While the size of the codices is different, the size of the text areas and the style of the illuminations are the same.  Therefore, the three volumes probably originally constituted a one- or two-volume codex, which began with Rosh ha-Shanah and ended with Shavuot.  It may have been cut and divided into three parts some time later. None of the volumes has a colophon. The only name given is that of the scribe. He was a certain Hayyim. His name is written at the end of the commentary to Ruth (“חיים חזק”, vol.2, fol. 80v), and this word is decorated in the text in another page of the same volume (fol.103v). A certain scribe Hayyim (חיים סופר) also copied the so-called Schocken Bible (Southern Germany, c.1300; Jerusalem, Schocken Library, Ms.14840), and two close stylistic relatives of the Tripartite Mahzor: the Pentateuch of the Duke of Sussex (Southern Germany; London, British Library, Add. Ms 15282)  and the Sefer Mitzvot Katan (Lake Constance Region, probably Konstanz, ca.1310; Vienna, Österreichische Nationalbibliothek Cod. Heb. 75).&lt;br /&gt;
&lt;br /&gt;
===The zodiac sign of Crab===&lt;br /&gt;
[[Image:TripartiteMahzor_vol1_143r.jpg|250px|thumb|''Zodiac sign of Crab and the labor of month Tammuz. [http://kaufmann.mtak.hu/en/ms384/ms384-coll1.htm Tripartite Mahzor vol.1], Germany, Lake Constance, ca.1320; Hungarian Academy of Sciences, Kaufmann Collection, MS Kaufmann A384, fol.143a'']]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the first volume, the prayer for dew is decorated with zodiac signs and the labors of the months (fols.142r-145v). This image depicts the Crab (סרטן)together with the labor of month [[http://en.wikipedia.org/wiki/Hebrew_calendar Tammuz]]. The crab is portrayed here as a strange hybrid created from the limbs different animals: its body is that of a roar, its legs  are those of a frog, and its tail is a fish.&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
&lt;br /&gt;
Fishof, Iris, ed. ''Written in the Stars; Art and Symbolism of the Zodiac.'' Jerusalem: Israel Museum, 2001.&lt;br /&gt;
&lt;br /&gt;
Narkiss, Bezalel. „A Tripartite Illuminated Mahzor from a South German School of Hebrew Illuminated Manuscripts around 1300.” In ''Fourth World Congress of Jewish Studies Papers'', , Vol 2. Jerusalem: World Union of Jewish Studies, 1968.&lt;br /&gt;
&lt;br /&gt;
Ormos, István. ''Kaufmann Dávid és gyűjteménye. Különnyomat az Örökségünk, Élő Múltunk. Gyűjtemények a Magyar Tudományos Akadémia Könyvtárában című kötetből'' (Dávid Kaufmann and his Collection. Extract from Our Heritage, Our Living Past. Collections in the Library of the Academy of Sciences). Budapest: Magyar Tudományos Akadémia Könyvtára, 2001.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://kaufmann.mtak.hu/en/ms384/ms384-143r.htm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:Jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2847</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2847"/>
				<updated>2009-01-27T17:43:06Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Folio 27r */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards which were popular in Upper- and Middle-Rhein regions during the fifteenth century. However, pigs do not appear on these playing cards. According to Joseph Gutmann, they might have a deeper meaning expressing a sort of warning against drinking to much and getting into the condition of &amp;quot;pigishness of Jewry's tormentors.&amp;quot;&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.''] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in ''The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995'', edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: ''Proceedings of the Eleventh World Congress of Jewish Studies'', Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;Joseph Gutmann, Images of the Jewish Past: An introduction to medieval Hebrew miniatures (New York: Society of Jewish Bibliophiles, 1965), 20.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2846</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2846"/>
				<updated>2009-01-27T17:42:39Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Folio 27r */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards which were popular in Upper- and Middle-Rhein regions during the fifteenth century. However, pigs do not appear on these playing cards. According to Joseph Gutmann, they might have a deeper meaning expressing a sort of warning against drinking to much and getting into the condition of &amp;quot;pigishness of Jewry's tormentors.&amp;quot;&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.''] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in ''The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995'', edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: ''Proceedings of the Eleventh World Congress of Jewish Studies'', Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;Joseph Gutmann, Images of the Jewish Past: An introduction to medieval Hebrew miniatures (New York: Society of Jewish Bibliophiles, 1965), 20.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2845</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2845"/>
				<updated>2009-01-27T17:42:08Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards which were popular in Upper- and Middle-Rhein regions during the fifteenth century. However, pigs do not appear on these playing cards. According to Joseph Gutmann, they might have a deeper meaning expressing a sort of warning against drinking to much and getting into the condition of &amp;quot;pigishness of Jewry's tormentors.&amp;quot;&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.''] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in ''The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995'', edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: ''Proceedings of the Eleventh World Congress of Jewish Studies'', Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;Joseph Gutmann, Images of the Jewish Past: An introduction to medieval Hebrew miniatures (New York: Society of Jewish Bibliophiles, 1965), 20.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2844</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2844"/>
				<updated>2009-01-27T17:35:47Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards which were popular in Upper- and Middle-Rhein regions during the fifteenth century. However, pigs do not appear on these playing cards. According to Joseph Gutmann, they might have a deeper meaning expressing a sort of warning  &amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.''] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in ''The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995'', edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: ''Proceedings of the Eleventh World Congress of Jewish Studies'', Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;Joseph Gutmann, Images of the Jewish Past: An introduction to medieval Hebrew miniatures (New York: Society of Jewish Bibliophiles, 1965), 20.&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2843</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2843"/>
				<updated>2009-01-27T17:05:56Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards which were popular in Upper- and Middle-Rhein regions during the fifteenth century. However, pigs do not appear on these playing cards, and according to Joseph Gutmann, they might have a deeper meaning.&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.''] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in ''The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995'', edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: ''Proceedings of the Eleventh World Congress of Jewish Studies'', Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2842</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2842"/>
				<updated>2009-01-27T17:01:00Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Bibliography */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards.&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.''] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in ''The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995'', edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: ''Proceedings of the Eleventh World Congress of Jewish Studies'', Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2841</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2841"/>
				<updated>2009-01-27T17:00:03Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards.&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;Katrin Kogman-Appel, ''Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt''(Frankfurt am Main : P. Lang, 1999), 156.&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2840</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2840"/>
				<updated>2009-01-27T16:58:56Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Folio 27r */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt; Most of these animal motifs derive from playing cards.&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2839</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2839"/>
				<updated>2009-01-27T16:55:05Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Folio 27r */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;ref&amp;gt;[[Kogman-Appel, Katrin. Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt(Frankfurt am Main : P. Lang, 1999), 156.]] Most of these animal motifs derive from playing cards.&lt;br /&gt;
&lt;br /&gt;
The '''1950 Atlantic hurricane season''' officially began on June 16, 1950,&amp;lt;ref&amp;gt;[[Associated Press]]. [http://www.thehurricanearchive.com/Viewer.aspx?img=74802433_clean&amp;amp;firstvisit=true&amp;amp;src=search&amp;amp;currentResult=4&amp;amp;currentPage=0 Hurricane Net To Link Cities For Warnings.] Retrieved on 2008-06-06.&amp;lt;/ref&amp;gt; and lasted until October 31, 1950.&amp;lt;ref&amp;gt;Corpus Christi Times.&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2838</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2838"/>
				<updated>2009-01-27T16:54:35Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Folio 27r */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;ref&amp;gt;[[Kogman-Appel, Katrin. Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt(Frankfurt am Main : P. Lang, 1999), 156.]] Most of these animal motifs derive from playing cards.&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2837</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2837"/>
				<updated>2009-01-27T16:53:48Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Folio 27r */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;ref&amp;gt;[[Kogman-Appel, Katrin. Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt(Frankfurt am Main : P. Lang, 1999), 156.]]&amp;lt;/ref&amp;gt; Most of these animal motifs derive from playing cards.&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2836</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2836"/>
				<updated>2009-01-27T16:52:39Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
===The Second Nuremberg Haggadah===&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative&amp;lt;ref&amp;gt; [[Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] (Frankfurt am Main : P. Lang, 1999)]]&amp;lt;/ref&amp;gt; Most of these animal motifs derive from playing cards. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2835</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2835"/>
				<updated>2009-01-27T16:47:12Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
==Second Nuremberg Haggadah==&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning against its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
There are lots of animals depicted throughout the manuscript. They are placed in the lower margin, or constitute parts of architectural structures--just as the above mentioned pigs. Their function is merely decorative.[1] Most of these animal motifs derive from playing cards. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2834</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2834"/>
				<updated>2009-01-27T15:33:27Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Folio 7r */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
==Second Nuremberg Haggadah==&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (''What makes this night different from all other nights?'' This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning on its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	<entry>
		<id>http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2833</id>
		<title>Pigs in the Second Nuremberg Haggadah</title>
		<link rel="alternate" type="text/html" href="http://animalwiki.imareal.sbg.ac.at/index.php?title=Pigs_in_the_Second_Nuremberg_Haggadah&amp;diff=2833"/>
				<updated>2009-01-27T15:32:35Z</updated>
		
		<summary type="html">&lt;p&gt;Gattabaissa: /* Notes */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Second_Nuremberg_Haggadah_7r.jpg|250px|thumb|''Second Nuremberg Haggadah'', folio 7r, detail. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
== Pigs in the Second Nuremberg Haggadah ==&lt;br /&gt;
&lt;br /&gt;
[[Image:SNH_7r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 7r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
==Second Nuremberg Haggadah==&lt;br /&gt;
The Second Nuremberg [http://en.wikipedia.org/wiki/Haggadah Haggadah]is a liturgical manuscript for Passover. It was produced mid-fifteenth-century [http://en.wikipedia.org/wiki/Ashkenazi Ashkenaz]. From the mid-nineteenth century until 1957, it was housed in the City Library of Nuremberg. In 1957, it became part of the Schocken Collection until 2004, when it was bought by David Sofer of London. &lt;br /&gt;
Its decoration is compound. There are ritual depictions as well as biblical narratives enriched with [http://en.wikipedia.org/wiki/Midrash midrashic] material.&lt;br /&gt;
&lt;br /&gt;
===Depictions of pigs===&lt;br /&gt;
====Folio 7r====&lt;br /&gt;
There are two pigs in the manuscript, both of them constitute part of a building. On folio 7r, at the beginning of the text, ''Mah Nishtanah?'' (What makes this night different from all other nights?. This is a rhetorical question raised by a child. It is an introductory question to the retelling of the Exodus story. The folio is decorated with two scenes. The one in the outer margin is depicted a man within an imaginary tower which is placed onto the back of a roar. The figure is pouring out the second cup of wine (during [http://en.wikipedia.org/wiki/Passover_Seder Seder eve] each participants should drink four cups of wine). The inscription above the figure says, &amp;quot;After the bread of affliction, the second cup is poured out.&amp;quot; &lt;br /&gt;
The other scene in the lower margin of the folio depicts a child is asking his father about the custom of Seder.&lt;br /&gt;
&lt;br /&gt;
====Folio 27r====&lt;br /&gt;
In the outer margin of folio 27r, a similar imaginary building is depicted. A man inside is lifting up the third cup of wine. The top of the building is decorated with a giant flower and a roar leaning on its stem.&lt;br /&gt;
[[Image:SNH_27r.jpg|200px|thumb|''Second Nuremberg Haggadah'', folio 27r. Jerusalem, Schocken Institute Library ms 24087]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Kogman-Appel, Katrin. [http://aleph500.huji.ac.il/nnl/dig/books/bk001849516.html Die zweite Nürnberger und die Jehuda Haggada : jüdische Illustratoren zwischen Tradition und Fortschritt.] Frankfurt am Main : P. Lang, 1999.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/pdf/kogman.pdf &amp;quot;The Iconography of the Biblical Cycle of the Second Nuremberg and the Yahuda Haggadot: Tradition and Innovation&amp;quot;], in The Old Testament as Inspiration in Culture: International Academic Symposium – Prague, September 1995, edited by Jan Heller, Shemaryahu Talmon, Hana Hlaváčková and Martin Prudký, Prague, 2001.&lt;br /&gt;
&lt;br /&gt;
K. Kogman-Appel. [http://www.etf.cuni.cz/~prudky/OTculture/4_4-Kogman-Appel.pdf &amp;quot;The Second Nuremberg Haggadah and the Yahuda Haggadah: Were they Made by the Same Artist?&amp;quot;], in: Proceedings of the Eleventh World Congress of Jewish Studies, Jerusalem 1993, Division D, vol. II, Jerusalem 1994, 25-32.&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
http://jnul.huji.ac.il/dl/mss-pr/mss_d_0076/&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&lt;br /&gt;
contributor: Zsofia Buda   mphbuz01@phd.ceu.hu   Central European University&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[category:pig]]&lt;br /&gt;
[[category:jewish]]&lt;br /&gt;
[[category:Manuscript Illumination]]&lt;br /&gt;
[[category:Nuremberg]]&lt;br /&gt;
[[category:14th to 16th century]]&lt;/div&gt;</summary>
		<author><name>Gattabaissa</name></author>	</entry>

	</feed>